Leo's Tool Die, 1950
In the early morning before the shop
opens, men standing1 out in the yard
on pine planks2 over the umber mud.
The oil drum, squat3, brooding, brimmed
with metal scraps4, three-armed crosses,
silver shavings whitened with milky5 oil,
drill bits bitten off. The light diamonds
last night's rain; inside a buzzer6 purrs.
The overhead door stammers7 upward
to reveal the scene of our day.
We sit
for lunch on crates8 before the open door.
Bobeck, the boss's nephew, squats9 to hug
the overflowing10 drum, gasps11 and lifts. Rain
comes down in sheets staining his gun-metal
covert12 suit. A stake truck sloshes off
as the sun returns through a low sky.
By four the office help has driven off. We
sweep, wash up, punch out, collect outside
for a final smoke. The great door crashes
down at last.
In the darkness the scents13
of mint, apples, asters. In the darkness
this could be a Carthaginian outpost sent
to guard the waters of the West, those mounds14
could be elephants at rest, the acrid15 half light
the haze16 of stars striking armor if stars were out.
On the galvanized tin roof the tunes17 of sudden rain.
The slow light of Friday morning in Michigan,
the one we waited for, shows seven hills
of scraped earth TOPped with crab18 grass,
weeds, a black oil drum empty, glistening19
at the exact center of the modern world.